Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art

Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art presents over twenty-five thangka that demonstrate the multivalent and critical roles of Himalayan artists in the practice of Buddhism. Traditional Tibetan paintings—thangka—are used as instructional and devotional objects, with Buddhist imagery painted on cloth and typically covered by a curtain of fabric and rolled for storage when not in use. In an ongoing practice that dates back many centuries, thangka paintings have been displayed during rituals and at certain times of year in monasteries, local shrines, and households, as objects of veneration, tokens of blessing, guides for meditation, and tools for teaching and learning.

In Tibetan Buddhist thought, one’s ordinary perceptions of the world and one’s self-centered existence are a mirage that gives rise to desire, delusion, and hatred. For centuries, Tibetan artists have depicted other ways of seeing the world—forms of awakening from this dreamlike illusion. In the most abstract sense, awakening is without form and without limit; however, with pure perception, the awakened nature may be recognized in images of buddha bodies, in forms of sacred architecture, and in the mountains and valleys of the Himalaya. This exhibition is organized into three sections to highlight these aspects of the awakened nature: the body, architecture, and the landscape.

Contemporary artists of Tibetan heritage also engage with the body, architecture, and the landscape as sites for transforming perception and waking up to elements of reality unnoticed in our everyday lives. The exhibition features works by Tenzin Phuntsog, Palden Weinreb, and Nyema Droma, who work within, beyond, and in dialogue with traditional forms and themes.

Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art celebrates the recent shared gift by Jack Shear to The Frances Young Tang Teaching Museum, The Williams College Museum of Art, and the Frances Lehman Loeb Center at Vassar College of over sixty Himalayan art works.

Works from the gift have been presented in two recent exhibitions, Mastery and Merit: Tibetan Art from the Jack Shear Collection at the Frances Lehman Loeb Center, and Across Shared Waters: Contemporary Artists in Dialogue with Tibetan Art from the Jack Shear Collection at The Williams College Museum of Art. Find more information and exhibition images below.

Exhibition Name
Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art
Exhibition Type
Faculty Curated
Group Exhibitions
Place
Malloy Wing
Dates
Aug 19, 2023 - Dec 10, 2023
Curators
Forms of Awakening: Selections from the Jack Shear Collection of Himalayan Art is curated by Benjamin Bogin, Associate Professor of Asian Studies, Skidmore College with Rachel Seligman, Malloy Curator, Tang Museum, and Ariana Maki, Associate Director of the Tibet Center and Bhutan Initiative at the University of Virginia.
Artists
Nyema Droma, Tenzin Phuntsog, Unrecorded Tibetan artists, Palden Weinreb
Student Staff
Chiara garcia ugarte
Chiara Garcia-Ugarte
Student Advisory Council Chair, past: 2023-24 Carole Marchand Endowed Intern, Registrarial Intern, Tang Guide
Dsc07332
Willa Flink
Registrarial Intern, Student Advisory Council
Anchor name: Other Venues
Several objects are placed on a table and protected under glass in a gallery space, while various Tibetan paintings and fiber pieces hang on the walls surrounding it.
Installation view, Mastery and Merit: Tibetan Art from the Jack Shear Collection, Frances Lehman Loeb Art Center at Vassar College, 2022, photo by On Location Studios
Mastery and Merit: Tibetan Art from the Jack Shear Collection

The Loeb at Vassar College

March 5–July 31, 2022

Mastery and Merit was the inaugural exhibition of the gift by the Jack Shear Collection and introduced the collection along thematic lines including: the roles of Buddhist masters in Tibetan history, politics, religious practice, and the regular lives of everyday practitioners. ⁠Learn more about the exhibition here.

Two paintings and a fiber piece hang on two blue walls that point diagonally toward a larger white room, where three large portrait style photographs of people hang from the ceiling.
Installation view, Across Shared Waters, Williams College Museum of Art, 2023, photo by Bradley Wakoff
Across Shared Waters: Contemporary Artists in Dialogue with Tibetan Art from the Jack Shear Collection

Williams College Museum of Art

February 17–July 16, 2023

Across Shared Waters presents works by contemporary artists of Himalayan heritage alongside traditional Tibetan Buddhist rolled paintings, or thangka, from the Jack Shear Collection. Learn more about the exhibition here.

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