Collection Artwork
Tim Rollins and K.O.S. (South Bronx, New York, established 1981)
Invisible Man (after Ralph Ellison)
india ink, pencil on book pages
canvas size: 12 1/8 x 11 3/4 x 3/4 in.
Gift of the artists in honor of Ginger Ertz
United States, North America
Inscribed, signed, and dated, canvas verso, in black ink: Invisible / Man / (after Ralph Ellison) / [Tim Rollins monogram] / and / K.O.S. / 2012

Installation views

Object Label

“IM”: the initials of Invisible Man, the 1952 novel by Ralph Ellison on which this work is based. When read aloud, “IM” becomes “I am.” The two words form the beginning of “I am a man,” as in the protestors’ signs during the 1968 Memphis sanitation strike. Martin Luther King Jr. used those words, too. I am human. I am here. “I am an invisible man,” as in Ellison’s opening line.

What does it mean to be invisible? What does it mean to be forced to state one’s own humanity?

From the exhibition: Give a damn. (June 30 – September 30, 2018)

Ongoing Research

Research on our collection is ongoing. If you have resources you’d like to share, please contact Associate Curator Rebecca McNamara.
Pattern by Monica Andrews '19
Inspired by the exhibition 3-D Doings: The Imagist Object in Chicago Art, 1964-1980
The Tang Pattern Project celebrates the Museum’s 20th anniversary. Organized by Head of Design Jean Tschanz-Egger, past and current Tang Design Interns created patterns inspired by the Museum’s exhibition and event history.