Collection Artwork
Franklin Williams (born Utah, 1940)
A Beautiful Dark Moment
1973
acrylic paint, twine, yarn, painted fabric, fabric, canvas, cotton batting
object size: 40 x 48 1/2 x 2 3/4 in.
Gift of the Alex Katz Foundation
2017.50.4
Inscribed in ink, verso, upper left: A BEAUTIFUL DARK / MOMENT
Signed, dated and inscribed in ink, verso, starting upper right: Franklin Williams / 1973 / 40" x 48"

Object Label

Franklin Williams’s art practice subverts mainstream mid- to late twentieth-century art trends. In the 1960s and 1970s, when many contemporary abstract painters were concerned with hard lines and edges and embracing the physical urgency of art making, Williams instead focused on organic shapes and patterns by means of labor-intensive techniques such as stitching and painting with fine brushes. A Beautiful Dark Moment is composed of abstracted anatomical elements that don’t read as specifically animal- or plant-like, but as both simultaneously. Viewers may identify phallic, vaginal, and breast-like shapes that, upon second glance, transform into plants and insects. The leaf-like patterns reference nature, and the luminous yellow crescents contrasted against the deep green and blue evoke the night, as the title suggests. Williams’s work, with these earthy suggestions, demonstrates how easily our minds conflate nature and the human form.
–Caroline Coxe ’20

From the exhibition: Lover Earth
Art and Ecosexuality (May 30 – August 23, 2020)

Ongoing Research

Research on our collection is ongoing. If you have resources you’d like to share, please contact Associate Curator Rebecca McNamara.

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Lover Earth
Art and Ecosexuality
Exhibition
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Pattern by Monica Andrews '19
Inspired by the exhibition 3-D Doings: The Imagist Object in Chicago Art, 1964-1980
The Tang Pattern Project celebrates the Museum’s 20th anniversary. Organized by Head of Design Jean Tschanz-Egger, past and current Tang Design Interns created patterns inspired by the Museum’s exhibition and event history.