Collection Artwork
2019 7 pr w02
2019 7 pr w01
2019 7 pr w02
2019 7 pr w01
Deana Lawson (born Rochester, New York, 1979)
Joanette, Canarsie, Brooklyn
2013
inkjet print on Sintra
paper size: 42 1/2 x 34 7/8 in.
frame size: 43 1/2 x 35 1/4 x 1 1/2 in.
image size: 42 1/2 x 34 7/8 in.
43 1/2 x 35 1/4 x 1 1/2 in.
Purchased with generous funding from Nancy Herman Frehling '65 and Leslie Cyphen Diamond '96
United States, North America
2019.7
2/3, 2 APs

Object Label

Deana Lawson’s photography explores how black Americans from a variety of backgrounds and identities construct a culture that includes all permutations of black experiences. Like many of George Hurrell’s glamour portraits, Lawson uses a plain studio backdrop, dramatic lighting, and cropping so that the focus is entirely on her subject.

While Lawson’s photograph echoes the compositional aesthetics of glamour portraits, the beauty of Joanette, the sitter, stands apart from Hollywood’s cookie-cutter glamour. Joanette is adorned with ashy silver jewelry, voluminous hair extensions, feathery eyelashes, and elongated nails. Contemporary glamour, as defined in this portrait, embraces all aesthetics, even those that deviate from the norm. This modern inclusivity allows Joanette to pose for Lawson’s camera with as much confidence as Jean Harlow did under Hurrell’s direction.

From the exhibition: New Ms. Thang (May 4 – May 18, 2019)

Ongoing Research

Research on our collection is ongoing. If you have resources you’d like to share, please contact Associate Curator Rebecca McNamara.

Learn more

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