Collection Artwork
Nan131 pr w01
Nan131 pr w02
Nan131 pr w01
Nan131 pr w02
abrus seed mask
mid-20th century
abrus seed, raffia, cotton
object size: 8 x 8 x 16 in.
Gift of unknown donor
Benue River Valley, Nigeria, Africa
NAN131

Object Label

Art museums collect, preserve, and exhibit objects considered artistically significant according to culturally specific art historical definitions of what constitutes “art.” Therefore, art museums usually possess African objects that conform to this category, though its definition changes over time. As with anthropology and ethnography museums, many art museums in Western Europe and North America began acquiring objects from other cultures and countries through the consequences of colonialism, such as cultural contact, trade, and looting. The African objects in art museums acquired during colonialism comprise the African art canon.

Art museums typically display objects according to a theme, attributing new meanings to them. While in their original cultures many African objects are used during ceremonial performances together with music and dance, in an art museum, a silent visual experience replaces those elements.

The mask in this display belonged to Skidmore College’s collection, which transferred in 2000 to the newly established Tang Museum. Unable to find documentation about the mask in the college’s collections files, the Tang gave the object the code NAN (no accession number) 131, indicating that it was the collection’s 131st item whose records could not yet be reconciled. Information about this mask’s acquisition, provenance and journey to the Tang remains unknown.

From the exhibition: (Un)known Lives of Objects: From Nigeria to the Tang Collection (September 28 – December 28, 2013)

Ongoing Research

Research on our collection is ongoing. If you have resources you’d like to share, please contact Associate Curator Rebecca McNamara.

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(Un)known Lives of Objects: From Nigeria to the Tang Collection
Exhibition
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