Collection Artwork
2015 26 22a b pr w01
Lorna Simpson (born Brooklyn, New York, 1960)
Untitled (melancholy dame/carmen jones)
2001
gelatin silver prints, plexiglas, vinyl lettering
frame size, each: 22 3/8 x 18 3/8 x 2 3/4 in.
installed size: 22 x 39 1/4 x 2 3/4 in.
Gift of Peter Norton
2015.26.22a-b
2/5

Object Label

In a storyboard arrangement of images, Lorna Simpson combines portraits of a woman with titles of 20th-century films that present black women as highly sexual, exotic commodities. Presented in profile or otherwise obscured by vinyl overlay, the sitter’s face is never revealed— she could be anyone. Without being able to see her expression, how do we read her? We are left only with the short phrases surrounding the images, which are presented together as an inner monologue, making their racist and stereotypical undertones all the more distressing.

What is lost when we cannot see a face? What is gained when we listen to someone’s experience, rather than rely on physical identifiers?

From the exhibition: Other Side:
Art, Object, Self (August 12, 2017 – January 3, 2018)

Ongoing Research

Research on our collection is ongoing. If you have resources you’d like to share, please contact Associate Curator Rebecca McNamara.

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Other Side:
Art, Object, Self
Exhibition
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Never Done: 100 Years of Women in Politics and Beyond
Exhibition
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Pattern by Evelyn Wang ’19
Inspired by the exhibition 3-D Doings: The Imagist Object in Chicago Art, 1964-1980
The Tang Pattern Project celebrates the Museum’s 20th anniversary. Organized by Head of Design Jean Tschanz-Egger, past and current Tang Design Interns created patterns inspired by the Museum’s exhibition and event history.